A webpage of Los Angeles Night Life ( NightLife ), RMC and part of an Inter - City Cultural Communications
web site program between the cities of Los Angeles, California, and Ithaca, New York. If you are community online user
of the community represented, then you are encouraged to make suggestions. Email: ithacafalcon@aol.com
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World Women Trade Fair Hosts Expo 2008:
Celebrating World Culture and Economic Independence:
The Santa Monica region is going on the map with this single Intercultural event during January 20 and 21, 2008 exhibited
at the Santa Monica Doubletree Hilton. See www.worldwomentradefair.com for more details.
Eddie Kim, sound designer named jurial of Clio Awards 2007 Technique Jury. [ See below for further detail about the Clio Jury, and
its components.] The jury awarded ....
Lexus “Highway”
What makes this :30 spot elegant isn't the way the Lexus ES glides on scenic roads, although that's part of it. What's
especially charming is the minimalist soundtrack that eschews mechanical noise for an organic, hypnotic sound. Paul Bessenbacher's
clean score is carried by a solo piano. The sound design scheme uses a glass sound for headlight closeups and wind sounds
for a revving engine. Agency: Team One, El Segundo, Calif.; Production: Rock Fight, Hollywood; Director/DP: Daniel Barber;
Editing: Rock, Paper, Scissors, Los Angeles; Music: Admusic, Santa Monica, Calif.; Composer: Paul Bessenbacher; Postproduction:
Company 3, Santa Monica; Sound Design: 740 Sound Design, Santa Monica; Sound Designers: Eddie
Kim, Mike Johnson.
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For Immediate Release
Clio Awards 2007 Technique Jury
NEW YORK, April 10, 2007 — The 48th annual international Clio Awards, a leading global awards competition recognizing excellence in advertising and design, today announced
its complete 2007 Technique Jury. This jury will evaluate a range of techniques that
go into making ads, spanning areas such as direction, cinematography, animation and visual effects, editing and music/sound
design.
The Technique Jury is as follows:
Direction/Cinematography •
Daniel Kleinman (jury chairman), director, Rattling Stick Productions, London UK •
Gerard de Thame, director, Gerard de Thame Films, London, UK • Antoine Bardou-Jacquet, director, Partizan, Paris, France • Gerard de
Thame, director, Gerard de Thame Films, London, UK • Tim Godsall, director,
Biscuit Filmworks, Los Angeles, Calif., USA • Prasoon Pandey, director, Corcoise
Films, Mumbai, India • Claudio Prestia, director, Bendercine, Buenos Aires,
Brazil • Keith Rose, director, Velocity Films, Cape Town, South Africa •
Rupert Sanders, director, MJZ, Los Angeles, Calif., USA
Animation & Visual Effects • William Bartlett, Framestore
CFC, London, UK • Nickson Fong, CEO/filmmaker, Egg Story Creative Productions,
Singapore • Pasi Johansson, managing director, STO.PP stockholm.postproduktion,
Stockholm, Sweden • Todd Mueller, creative director/co-founder, Psyop Creative,
New York, NY, USA • Cedric Nicolas, visual effects artist. Method Studios,
Santa Monica, Calif., USA • Chris O'Reilly & Charlotte Bavasso, co-Founders, Nexus Productions, London, UK • Ole
Peters, CEO/creative director, Sehsucht, Hamburg, Germany • Johnnie Semerad,
effects supervisor, Quiet Man, New York, NY, USA • E. Suresh, creative director,
Famous House of Animation, Mumbai, India
Editing • Kirk Baxter, editor, Rock Paper Scissors, Los Angeles, Calif., USA • Gavin
Cutler, owner/editor, Mackenzie Cutler, New York, NY, USA • Steve Gandolfi,
managing director/editor, Cut & Run Limited, London, UK • Mick Griffin,
editor/partner, Flashcut Editing, Toronto, Ontario, Canada • Holly Ho, editor,
Touches Limited, Hong Kong, China • Russell Icke, editor/partner, The Whitehouse,
London, UK • Adam Liebowitz, president/editor, Go Robot!, New York, NY, USA •
Gordon Midgeley, editor, Riot, Bryanston, South Africa • Avi Oron, editor/owner, Bikiniedit, New York, NY, USA • Rick Russell,
editor, Final Cut, New York, NY, USA • Drew Thompson, editor, Guillotine Pty
Ltd., Sydney, Australia • Tim Thornton-Allan, editor/owner, Marshall Street
Editors, London, UK
Music/Sound Design • Christoph Blaser, composer/producer/CEO, Largoland Musicproduction, Berlin, Germany • Drazen Bosnjak, Q Department, New York, NY, USA • Michelle Curran,
president, Amber Music, London/New York • Tom Eymundson, partner/director,
Pirate Radio & Television, Toronto, Ontario, Canada • Rennie Gomes, composer/managing
director, Yellow Box Studios, Singapore • Jason Johnson, creative director/composer,
Stimmung, Santa Monica, Calif., USA • Eddie Kim, sound designer, 740 Sound
Design, Santa Monica, Calif., USA • Ren Klyce, sound designer/music composer,
Mit Out Sound (M.O.S.), Sausalito, Calif., USA • Michael O'Neill, senior composer,
Liquid Studios, Auckland, New Zealand • Lorens Persson, managing director,
Sterling Sound, Randburg, South Africa • Josh Rabinowitz, senior vice president/director
of music, Grey Worldwide, New York, NY, USA • Jack Sedgwick, Wave Recording
Studios, London, UK • Joel Simon, president/CEO, JSM Music, New York NY, USA
“The
Technique category examines the elements that make broadcast ads come alive,” said Tony
Gulisano, managing director, Clio Awards. “This diverse jury of leading directors, cinematographers, editors,
animation and visual effects experts, music composers and sound designers will look to honor the year’s most outstanding
applications of these components.”
The jury will conduct judging in April in Sante Fe, New Mexico, and winners
will be announced at this year’s Clio Festival, May 9-12, in Miami Beach FL.
The Clio Awards (www.clioawards.com), part of Nielsen Business Media, are the world’s most recognized international
advertising awards competition. Founded in 1959 to celebrate creative excellence and innovation in advertising, the Clios
inspire and pay tribute to one of the most interesting and influential art forms in modern culture. Known for its world-class
juries made up of more than 130 experts from 40 countries, the Clio Awards focus on creative work in the fields of advertising
and design, specifically in the areas of TV, Print, Outdoor, Radio, Content & Contact, Integrated Campaign, Innovative
Media, Interactive, Design and student work. The Clios also serve the global design and advertising communities through its
annual festival, publications, newsletter and international screenings of winning work.
# # #
Contact: Jack Mello press@clioawards.com
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